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Monsters and Moonlight

At the opening of the Staffordshire Hoard Gallery, there were hundreds of precious objects on display, but I was searching for just one; the Story Hoard.

The front cover of the Story Hoard book

The front cover of the Story Hoard book

This leather-bound trove of poems, stories and riddles, which now sits on the wooden table in the Mead Hall area of the new gallery, is filled with creative responses to the Hoard. Here are not just facts but characters, not just information but imaginative reflections too. All written, and illustrated, by talented local people, including writers at the Kings Norton Writers’ Group, ESOL students from Birmingham Metropolitan College, metal detectorists and members of the public.

Story Hoard open

Story Hoard open at the frontispiece with illuminated text by Doreen Goodall

In our writing groups, which ran from winter 2013 to spring 2014, we aimed to be inspired not just by what we know about the Hoard but what we don’t know. We wanted to dream up characters and scenarios, to imagine life and people then. We thought much about what might have happened to the treasure before, and after, it came to lie in the ground.

Writers from the Kings Norton Writing Group at work on Story Hoard

Writers from the Kings Norton Writing Group at work on Story Hoard

We also examined works of Anglo-Saxon literature, such as the mysterious poem Deor. We thought about what it means to be human, and inhuman, now and then. We read the epic poem Beowulf and though about the role of the hero, and the antihero – the monster, in the Anglo-Saxon mind.

The writing group at Birmingham Museum and Art Gallery

The writing group at Birmingham Museum and Art Gallery

Then we got down to nuts and bolts. We began to write and write and write. We paid particular attention to working with detail, and capturing our imaginative ideas with images, metaphors and accurate, unusual words. The opening lines of Evan Wang’s poem, The Hoard, rage us back through time in a most thrilling and ominous way.

The sword
goes through the body
Just like thunder.

The natural world, particularly weather and the seasons, is revealed in many of the responses, perhaps prompted by our imaginings of what has stayed the same and what has changed in human experience. In Lisa Grace’s poem Untitled, sunlight reveals an ancient warrior:

Coppery tints shine in sun’s midst
Catching my image powerful and true
Of warrior, spear, helmet and shield.

We tried hard to use rhythm, rhyme and vocabulary in meaningful and forceful ways. In Lorraine Boyce’s poem, My Monster, words, and their effective placing, awaken a magnificent creature on the page.

It’s shining metallic, thick headed, foul mouthed
Lurching much closer it marks out our time.

 That last word is important. Much of our thinking was around time, and timelessness, particularly what has changed in our lives over the last fifteen hundred years, and, more importantly, which elements of human nature and experience have stayed the same. Anglo-Saxon soldiers Hagan and Edwin, in Lavinia Bousfield’s story Two Brave Warriors, speak for fighters in many battles:

‘Edwin huddled in his cloak to keep the night air from his body. Time passed slowly until he saw the dawn coming.  He turned in the direction he heard a bird whistle. Too late, he realised it wasn’t a bird.’

Story Hoard  open

Story Hoard open at one of Heather Anderson’s images and one of Lavinia Bousfield’s pieces

Things are often not what they seem in these tales. In Doreen Goodall’s The Pilgrim and The Shepherd an elderly traveler’s journey takes a very unexpected turn when a mysterious shepherd befriends him:

‘During their walk the pilgrim found that the total of the shepherd’s conversation was sheep, goats and monsters. Apart from that, much to the old man’s chagrin, he moaned incessantly about everything.’

There’s a good, odd, reason why, but you will have to read the story to find out what it is. Surprise and suspense is everything, and everywhere in this collection.

We tried to explore structure, and worked hard to give our stories beginnings, middles and unexpected endings. We thought about journeys as a crucial part of a story. We looked into motivation, particularly what a character wants and why. In Heather J Anderson’s story, The Dream, a hen-pecked schoolteacher experiences a strange escape from his marriage and job:

‘My students are looking at me to help them clarify what they have heard on the news report. I feel all the colour drain from my face as I pick up my marker to point to an area on the map on the board behind me.  Suddenly I get the stabbing pain in my shoulder…’

Just as the Staffordshire Hoard is abundant with riches and gems, so is the Story Hoard. I hope you will search through, either using your hands in the Mead Hall, or using your keyboard; you can view the Story Hoard online here. I promise you will find treasure.

Helen Cross,
Writer

 

Writing group participant comments

Lavinia Bousfield adds:

‘I would like to say how much I enjoyed viewing the Saxon Hoard and the completed Saxon Book on display. I felt proud to see the stories and art work submitted by our writing group from Kings Norton Library, and all the other contributors involved in the project.
The sensory table displaying the pieces of gold was quite fascinating. I found the beautiful workmanship that went into producing the gold pieces by our ancestors quite remarkable. History is here for all to see, and we can learn more about the lives of the Saxons.
This is an exhibition well worth visiting.’

Ann Cullen writes:

‘I found the Stafford Hoard Exhibition exciting and very interesting. I was amazed at how clever the Anglo Saxons were, particularly in jewellery making. Some of the designs on swords, daggers and other items are so tiny and yet they are perfectly set out. The garnets are beautiful.
There are some very significant stories about  the way of life of the  Anglo-Saxon people – the superstitions, the constant battling  of tribes, the burial of the hoard and much more.
I would recommend the exhibition to all. It is a story of history set in a great presentation. I recommend it as a suitable and exciting exhibition for young and old.’

Staffordshire Hoard Challenge for Museum Cake Day

To celebrate Culture Themes’ museum cake day #MusCake on June 19th, the Staffordshire Hoard conservation team are challenging you to bake a Staffordshire Hoard inspired cake (or biscuits) and to post a picture of your creation on our Facebook page or tweet us. The best entry will receive a goody bag of Staffordshire Hoard merchandise and feature on the Facebook page.

If you would like to enter the competition you have until 12pm on June 18th. Only one entry per person! The competition will be judged by conservators at Birmingham Museums, including Alex Cantrill who baked the Staffordshire Hoard birthday cake below, the inspiration for this museum cake day competition! We will announce the winner via twitter and Facebook on June 19th. We will also tweet all your cake competition entry images using the #MusCake hashtag on the same day.  See the competition rules.

Staffordshire Hoard birthday cake
Look at images of the Staffordshire Hoard on the Hoard Flickr page for inspiration for your cake. What will inspire you? Will it be the Silver gilded pommel cap with human face (we call it Dave)?
Silver gilded pommel cap.
Or perhaps the Millefiori glass stud with gold and garnet surround?
Millefiori glass stud.
Or this bird of prey shaped gold and garnet fitting?
Bird of prey. Gold and garnet fitting.

And remember you can also make biscuits! We were very impressed by the picture of the Staffordshire Hoard ginger biscuits made by Helen Bernacki that appeared in the June 2013 edition of Current Archaeology.

Good luck everyone – we can’t wait to see your Hoard inspired cakes and biscuits!

Pieta Greaves
Staffordshire Hoard Conservation Manager

#MusCake day is a Culture Themes initiative, one of the monthly events they have on twitter to promote the work of museums. Culture Themes is a multi-national group of museum professionals who love museums. Find out more about Culture Themes at their website http://www.culturethemes.com and follow them on twitter @culturethemes.

Staffordshire Hoard on Twitter: https://twitter.com/staffshoard
Staffordshire Hoard on Facebook: http://www.facebook.com/staffordshirehoard
Staffordshire Hoard on Flickr: http://www.flickr.com/photos/staffordshirehoard
Watch Staffordshire Hoard conservation videos: http://www.youtube.com/BirminghamMAG
Staffordshire Hoard website: http://www.staffordshirehoard.org.uk

The Staffordshire Hoard Open Day, 17 November 2012

On Saturday, 17 November 2012 The Staffordshire Hoard conservation team will host a special Open Day In the Conservation Department at Birmingham Museum and Art Gallery.

This is your chance to get behind the scenes and spend 1½ hours with hoard conservators looking at hoard objects under microscopes.

There will be a brief talk illustrating the find and contemporary and medieval metalworker Jamie Hall will demonstrate the ancient wire-making techniques used in the construction of the Hoard objects.

Hoard open day tickets are still available and you can choose to book on one of the three sessions starting at: 10:30am, 12:30pm and 2:30pm.

The price is £30 per person and you can book your tickets at BMAG’s online Box Office or ring 0121 303 1966.

Video of the Staffordshire Hoard Open Day that took place on December 3rd 2011.

Tourpic

You can read blogs by the conservators on their Hoard work and by Jamie Hall on Wire Making in the Hoard on the Staffordshire Hoard website

Conservation Tours

The Open Day events are very popular and if you miss the chance to attend the open day, you can book a place on one of the guided tours of the Hoard Gallery and Conservation Studio, taking place on:

Wednesday 7 November and Wednesday 5 December.
Price: £20 per person
Buy tickets online or ring 0121 303 1966.

Funds raised from these events go directly toward conservation of the Staffordshire Hoard. Don’t miss this rare opportunity to discuss and observe objects up close and learn about ancient wire making techniques, while supporting the hoard conservation programme.

We hope to see you there!

The Hoard Conservation Team
Birmingham Museum & Art Gallery

3D Laser Scanning Tests on Objects from the Staffordshire Hoard

These tiny foils were 3D laser scanned by at Conservation Technologies at National Museums Liverpool.

The scanning makes it easier to see the patterns within the foils – the tiny warriors become more prominent and the edges of the foils appear clearer. This technology could be used to help us piece these small fragments together like a giant jigsaw.

Foils1

Original objects

Foils2

Screenshot of 3D data set created by laser scanning.

Foils3

Screenshot of 3D data set – relief mapped to aide visualisation of detail.

Foils4

Screenshot of 3D data set – relief mapped to aide visualisation of detail.

 Keep up with all the Hoard news and research on the Staffordshire Hoard website.

 

The Mystery Staffordshire Hoard Object: More Pics!

Curator Dr David Symons recently wrote a blog on the Staffordshire Hoard website about this mystery object which is made up of 3 parts of the Hoard: K545, K1055 and K130.

Dscn0690

Dr Symons wrote about what it has been suggested the object might be, and asked people for their suggestions. There has been a great interest in this – so here’s a few more pics that might help!

K545_view2small

K545 Top piece

K1055

K1055 Middle piece

K130_view2

K130 Bottom piece

To find out more about the mystery object, read other people’s comments and add your own, head over to the Mystery Object blog post.